A letter to Walt and Irv two men leading the rezizTanCE where trance is the Dance

 


Walter Hendrik Gustav {Lewin}

born 

01 29

1936 

iI/ZZzz  A

 Astroph

Yzisicist 

and retired professor of physics 


a human being of Dutch extraction employed byathe Massachusetts Institute of Technology. Lewin earned through the application of his own personal work his doctorate A Doctorate in nuclear physics in 1965 at the Delft University of Technology and was a member of MIT's physics faculty for 43 years beginning in 1966 until his retirement in 2009 where he put the performance art on hold and began to continue his work on proving that there is no such nonsense as Electrons Protons and Non Eletrons or Protons named something else trons

A world that has no space for nonsense has space for the Gnomon that tells the time another word for the angle of incidence of the wave torus interacting with your observed object a pile of silicon and or carbon held together with some rearrangement of H2O using the circle as the preferred Re ferred reference to the point of 

points being the point of point less pointilizm other than the work of the famed not so

 famous Pointillism (/ˈpwæ̃tɪlɪzəm/, also US/ˈpwɑːn-ˌ ˈpɔɪn-/)[1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.

Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation.[2] The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes.[3]

Technique[edit]

The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint.[2] It is a technique with few serious practitioners today and is notably seen in the works of SeuratSignac, and Cross.

Paul SignacFemmes au Puits, 1892, showing a detail with constituent colors. Musée d'Orsay, Paris
Henri-Edmond CrossL'air du soir, c.1893, Musée d'Orsay

From 1905 to 1907, Robert Delaunay and Jean Metzinger painted in a Divisionist style with large squares or 'cubes' of color: the size and direction of each gave a sense of rhythm to the painting, yet color varied independently of size and placement.[4] This form of Divisionism was a significant step beyond the preoccupations of Signac and Cross. In 1906, the art critic Louis Chassevent recognized the difference and, as art historian Daniel Robbins pointed out, used the word "cube" which would later be taken up by Louis Vauxcelles to baptize Cubism. Chassevent writes:

M. Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...].[5][6][7][8]

Practice[edit]

The practice of Pointillism is in sharp contrast to the traditional methods of blending pigments on a palette. Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses that place dots of cyanmagenta, yellow and key (black). Televisions and computer monitors use a similar technique to represent image colors using Red, Green, and Blue (RGB) colors.[9]

If red, blue, and green light (the additive primaries) are mixed, the result is something close to white light (see Prism (optics)). Painting is inherently subtractive, but Pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided, and because some of the white canvas may be showing between the applied dots.[9]

The painting technique used for Pointillist color mixing is at the expense of the traditional brushwork used to delineate texture.[9]

The majority of Pointillism is done in oil paint. Anything may be used in its place, but oils are preferred for their thickness and tendency not to run or bleed.[10]

Common uses of Pointillism[edit]

Pointillism is commonly used for the intricate binding of hand-made book covers in the seventeenth century, the decoration of metallic arms and armor, and for the decoration of hand-finished firearms.


Lewin's contributions in astrophysics include the first discovery of a rotating neutron star through all-sky balloon surveys and research in X-ray detection in investigations through satellites and observatories. Lewin has received awards for teaching and is known for his lectures on physics and their publication online via YouTubeMIT OpenCourseWare and edX.

In December 2014, MIT revoked Lewin's Professor Emeritus title after an MIT investigation determined that Lewin had violated university policy by sexually harassing an online student in an online MITx course he taught in fall 2013.[1][2][3]

Early life and education[edit]

Lewin was born to Walter Simon Lewin and Pieternella Johanna van der Tang in 1936 in The Hague, Netherlands. He was a child when Nazi Germany occupied The Netherlands during World War II.[4] It is unclear if his paternal grandparents Gustav and Emma Lewin, who were Jewish, were killed in Auschwitz in 1942, or died of typhus or starvation.[5] According to this video ( https://www.youtube.com/watch?v=DwUexUstPEE ) they were killed in Auschwitz. To protect the family, Lewin’s father — who was Jewish, unlike his mother — decided one day to simply leave without telling anyone. His mother was left to raise the children and run a small school she and her husband had started together. After the war ended, his father resurfaced; Lewin describes having a “more or less normal childhood.” His parents continued running the school, which he says strongly influenced his love of teaching.[4][6]

Academic career[edit]

Walter Lewin taught high school physics while studying for his PhD, then he went to Massachusetts Institute of Technology in January 1966 as a post-doctoral associate, and was appointed an assistant professor. He was promoted to associate professor of physics in 1968 and to full professor in 1974.[7]

At MIT, Lewin joined the X-ray astronomy group and conducted all-sky balloon surveys with George W. Clark. Through the late seventies, there were about twenty successful balloon flights. These balloon surveys led to the discovery of five new X-ray sources, whose spectra were very different from the X-ray sources discovered during rocket observations. The X-ray flux of these sources was variable. Among them was GX 1+4 whose X-ray flux appeared to be periodic with a period of about 2.4 minutes. This was the first discovery of a slowly rotating neutron star.[8]

In October 1967 when Scorpius X-1 was observed, an X-ray flare was detected. The flux went up by a factor of about 4 in ten minutes after which it declined again. This was the first detection of X-ray variability observed during the observations. The rockets used by other researchers could not have discovered that the X-ray sources varied on such short time scales because they were only up for several minutes, whereas the balloons could be in the air for many hours.[9]

Lewin was co-investigator on the Small Astronomy Satellite 3 (SAS-3) project. He directed the burst observations and discovered several X-ray bursters, among them was the rapid burster[10] which can produce thousands of X-ray bursts in one day. His group also discovered that the rapid burster produces two types of bursts and established a classification of bursts as type I (thermonuclear flashes) and type II (accretion flow instabilities).[11]

Lewin was co-principal investigator on High Energy Astronomy Observatory 1 HEAO-1 (A4), which has yielded the first all sky catalog at high-energy X rays. With H. Pedersen and J. van Paradijs, Lewin made extensive studies of optical bursts which are associated with X-ray bursts; for X-ray detections they used SAS-3 and the Japanese observatory "Hakucho". Their combined burst observations demonstrated that the optical bursts are a few seconds delayed relative to the X-ray bursts. This established the size of the accretion disc surrounding the accreting neutron stars.

In his search for millisecond X-ray pulsations from low-mass X-ray binaries, in 1984–85 Lewin made guest observations with the European observatory EXOSAT in collaboration with colleagues from Amsterdam and Garching, Germany. This led to the unexpected discovery of intensity-dependent quasi-periodic oscillations (QPO) in the X-ray flux of GX 5-1. During 1989 to 1992, using the Japanese observatory "Ginga", Lewin and his co-workers studied the relation between the X-ray spectral state and the radio brightness of several bright low-mass X-ray binaries.[12]

Lewin was closely involved in ROSAT observations of the nearby galaxies M31 and Messier 81. Lewin and his graduate student Eugene Magnier have made deep optical charge-coupled device observations of M31 in four colors; they have published a catalogue of 500,000 objects. Lewin and his graduate student David Pooley initiated the successful X-ray observations within six days of the appearance of supernova SN 1993J in M81.

Lewin collaborated with his close friend Jan van Paradijs of the University of Amsterdam from 1978 until van Paradijs' death. They co-authored 150 papers.[13]

He became a corresponding member of the Royal Netherlands Academy of Arts and Sciences in 1993[14] and a fellow of the American Physical Society in 1993.[15]

Lewin and graduate student Jeffrey Kommers have worked on data from the Compton Gamma Ray Observatory (GRO). This was a collaboration with the BATSE Group[16] in Huntsville, AL. In early December 1995, with co-workers Chryssa Kouveliotou and Van Paradijs, they discovered a new type of X-ray burst source: (GRO J1744-28) the Bursting Pulsar, and received a NASA Achievement Award for this discovery.

In 1996–1998, Lewin's collaboration with Michiel van der Klis in Amsterdam led to the discovery of kHz oscillations in many X-ray binaries.

Using the Chandra X-ray Observatory, Lewin and his graduate student David Pooley made extensive studies of supernovae and faint X-ray sources in globular clusters. This research was done in collaboration with scientists from the University of WashingtonIAS in Princeton, UC Berkeley, the University of Amsterdam and Utrecht in The Netherlands, and the Naval Research Laboratory in Washington, DC. The research on supernovae produced the first X-ray spectrum with unprecedented energy resolution of SN 1989S.[17] The research on globular clusters demonstrated that X-ray binary stars are cooked in the cores of the clusters where the stellar density is very high.

With graduate student Jon Miller, Lewin made extensive studies of black-hole X-ray binaries in our galaxy. Evidence was found for spectral distortions of the iron line (in X-rays) indicative of the influence of general relativity on the iron-line emission in the vicinity of the "event horizon" of the black holes. This research on black-hole binaries is continuing using all available observatories in orbit – among them: Chandra, the Rossi X-ray Timing Explorer (RXTE), and the European observatories XMM-NewtonIntegral and NuSTAR.

Lewin has published about 450 scientific articles as of 2014.[15]


A letter to Walter as letterz goe theze dayze


Hey Walter Lewin, Not sure what you are doing today to attract and unattract attention at the same time

i
A Type Ical W altered consciousness L ew in the stew where /-\ tees the Tree {fir bound r} act [rack] T+ l vel{y}
whence the thence is the morrow they morn the now must me \+/ convert to we to fit the key /-\/+\/-// elvighly {shhh}
be the mid night of morn in the world well worn where one is the other anon or A N~or~n if you like rhymes {hnhnaa}

You are the new messiah no doubt and the word needs to get out Irv is the way been working on the day
and the week and the month and the year as zZz they and he do with signs of light colored red with a hue unlike the
one of the glasses you do wear to show the know is the now gnomonly and the play is the way to gnomon light the day
from black to grey event U allay A Lee you see Lewin in he where the warp meets the weave and the smoke
sends the joke in a visible way as the iron doth say whence the lines are the way from the no the the yea

https://youtu.be/s_fkpZSnz2I

I am going to guess here that in a very very shocking way, Doctor Irving Finkel will take your call now and the two
of you need to put theomse two semi hemi spheres together and come up with a fruit salad of lines smothered in the sauce of
some water based substance with a bit of salt added to encourage the action of the re when action is the action
and re acting is acting in re wherever re happens to be like at the end of evre when evre is written EVER not E V r E
or the warp weaving the v into the warp where the r is the hook and the p is the nook the flips the charge with the sin
of speed not detectable by the eye of the eyeless tree yet felt fondled friended flowing ly the other ending that ends
the begin where yl is ly and LewInrvinWaltz in G the key that cycles T three different ways before H can flee as H tends
to do when A Fire be tree A and tree b sullen sudden sudden ly Finkel if found forthright ly portending the portent your incept dates
doth flee into the darkness the whence wonderment is set Sea ward waves the way to ward the wardee warder
wardette

all end in a net of lines with new nots where Knots Gnow the rot on the count of three point one four one five be the
shape of the form the formless can see at the level of life when Flatland can be the mind of the mentor melding with
glee at the A and the B far from the C the Abbot double A the freer of three left to lie in the ditch like Alice at Tea
the Hatter won the day and the days since as you well gnow mon now come on man dinna be a loon man

The soul according to the Plato that speak s zZz to these ears made deaf by the sound of fighter jets overhead and
Cicadas in the trees not by the darkness of the eyes not interested in looking closer That soul is the knowledge
Di Vi De D along the gnomon slicing the components into components componently re attracting the attract or
as the wind whips the waves of the sea into the froth of a foam that looks a lot like a cloud most likely explained
in electric language the original effort to take sound based communication developed over many moon cycles
where the natural sounds heard were spoken understood and communication meth od ic A L LY made possible vocally until
everyone got in the game and Ly was lie fast forward and here we are lying in the result

The way one can count it since the code book of language was put down in stone beginning around 3141 complete
moon cycles of cycles before some THING on the order of 7,000,000,000,003.1415926etc hominids have had the chance to
read Meno one short story where addition to geometry is explained in a few lines and from the point at which the di
SC ussion {2Xsigma of a bunch of carbon in the salt water bath that is every known level of space to erehpsomta
whether you happen to be looking at it from the perspective of Zeuzz the dogs of Zeuzz or at the dogs of Zeuzz where
the inverse is the out Verse eVEry moment of momentum consumed by the work of a force named wALTer LEwin the
Winner that is going to be remembered the way a soul} is meant to be remembered.

Pointedly begins points are made and recorded for Po st er it Y

Comments

  1. you bet your life and You Bet Your Life is a continuous record on film of gnomon i gnorance
    Start here: https://en.wikipedia.org/wiki/Groucho_Marx
    Begin here: https://en.wikipedia.org/wiki/Minnie_Marx

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